Sample Number
|
Description
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Sample 17, p. 106/117:
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A standard chord progression
that uses a ii-chord.
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Sample
18, p. 107/118:
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The
progression from Sample 17,
with the ii-chord replaced by a secondary dominant.
|
Sample
19, p. 108/119:
|
The
progression from Sample 17,
with the vi-chord replaced by a secondary dominant.
|
Sample
20, p. 108/119:
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"Crocodile
Rock", featuring a secondary dominant chord.
|
Sample
21, p. 109/120:
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"One
Flight Down" - a secondary dominant chord on the vi-chord.
|
Sample
22, p. 109/120:
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A
secondary dominant that does not resolve up a 4th or down a 5th.
|
Sample 23, p. 110/121:
|
Two progressions: A G major
chord moving to a C
major chord, then a G
sus4 resolving to a G major chord, which then moves to a C major chord.
|
Sample
24, p. 111/122:
|
Two
progressions that involve suspensions: 1) a 4-3 suspension; 2) a 9-8
(also called 2-1) suspension.
|
Sample 25, p. 113/124:
|
An A-major chord in three
positions: 1) Root position; 2) 1st inversion (3rd on bottom); 3) 2nd
inversion (5th on bottom). |
Sample
26, p. 114/125:
|
"Layla" chords, featuring a
first-inversion I-chord as a passing chord.
|
Sample 27, p. 114/125:
|
Three chord progressions that
feature pedal tones.
|
Sample
28, p. 116/127:
|
A
chord progression that features a half-step-upward modulation (change
of key).
|
Sample 29, p. 137/149:
|
A chord progression that serves
as the basis for a new sample song.
|
Sample
30, p. 138/151:
|
Fusing
some chord fragments together to create the beginnings of a new piece
of music.
|
Sample 31, p. 140/152:
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First attempt at adding a melody
to the chord progression.
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