A number of years ago Paul McCartney was asked in an interview about writing songs, and particularly, “What if you can’t remember what you came up with in your previous songwriting session?” McCartney’s answer was something like, “Well, John and I thought that if we couldn’t remember it, it probably wasn’t very good in the […]
A chords-first songwriting process has a few challenges that need to be dealt with. One of the main problems is that there is a tendency to focus more on the chords than on the melody. That can lead to songs that don’t have enough of a tune to be memorable. “Hooks and Riffs: How They […]
Robin Gibb once said that a great song is all about a great melody. It really depends on the genre, but most of the time I think he’s right. When you’ve hooked a listener with a good melody, you’ve given them something to hum — something to remember. A great melody is a powerful way […]
In order for a melody to be successful, it needs to be easily remembered by a listener. If your melodies sound like aimless wandering, you’re going to have trouble building an audience for it. The best melodies out there are the ones that people can hum or sing, even if they aren’t great singers. When […]
Some of the best songs ever written have a noticeable core of simplicity about them. Songs where the melody is easy to remember and easy to hum means that audiences are more likely to hum it as they go about their day. Simplicity is part of the reason that we find it so easy to […]
There is a lot to be said for the chords-first songwriting process, not the least of which is the fact that when you start vamping on a chord progression, a mood usually becomes quickly obvious. And once you’ve got the mood of the music, a topic will often be easier to settle on. And once […]
