When writing a song, it seems logical to assume that it will be either in a major or minor key, and you simply have to choose which one. But there is another option, which is to allow the song to start minor, switch quickly to major, then back to minor, and so on. You’d be […]
What we call writer’s block has many possible causes, but most of them related to fear, and in particular a fear of failure. But fear is not often the first step in a creative block. For many songwriters, it’s creative exhaustion. Chapter 5 of “The Essential Secrets of Songwriting” shows how melody and lyric need to work […]
The most recognizable section of practically any song will be the chorus. That’s because it’s likely to contain the “hookiest” part – the melodic/rhythmic idea that everyone will recognize. The verse melody is also going to be recognizable for the fact that it starts the song — it’s the first thing people hear. Get “The Essential […]
Rules and songwriting don’t go together, in my opinion. I like to think in terms of guidelines and principles, because those don’t insist so strongly on being followed, at least not as much as rules do. And if we wrote everything to accommodate a rule, where would we find the possibility for creativity? People say that “rules are […]
Clutter, at least with regard to songwriting, happens when the following is true: your song has too many musical ideas, and/or those ideas don’t communicate well with each other. But what do we mean by too many musical ideas? What constitutes an idea, and how many ideas should a good song have? Chord Progression Formulas – […]
In good songs, there is a sense of connection — or perhaps communication, in a way — between its various sections. You hear the chorus, and it sounds like the logical follower for what the verse offered. So how do we ensure that each section of a song feels connected to what came before it? […]
