In considering the many ways that songwriters start the songwriting process, working from a title is, in my opinion, one of the best. The reason comes down to one word: focus. To tell you more about what I mean, consider one of the other common ways to get the process started: working from a chord progression. […]
As listeners of music, we like to hear contrasting ideas as a song progresses, even if we’re not consciously aware of it. In songwriting, a contrasting idea might mean something like this: one part of a melody that’s harmonized mainly with minor chords, followed by a section harmonized with mostly major ones. Contrast in a […]
Last week I received an email from a blog reader, with a question regarding chord progressions. It’s similar to one that I receive a lot, and so I thought perhaps I would post it here, along with my answer [slightly edited in spots for clarity], and hope that it might be helpful for those of […]
If you look at the description of Lennon & McCartney’s “I Saw Her Standing There” in the Rolling Stone’s 500 Greatest Songs of All Time list, you’ll read this: This song had been written by McCartney two years earlier. After penning the first line – “She was just 17” – McCartney wanted to avoid completing […]
It’s an important principle in good songwriting that all elements within any song should act as partners. We know, for example, that the mood of a song can be strongly affected by the tempo we choose, and also by production choices: instrumentation, performance style, and even the key. A lyric can be excellent, but if […]
How you know that you’ve written a song that really works comes down to one main thing: its ability to make listeners want to hear it over and over again. When a song fails to do that, your job becomes one of analysis: how to figure out why a song just isn’t making the impact on […]
