There are some genres that are edgy and energetic by nature. If you like the warm fuzzy feeling you get from a lightly-accompanied ballad, you’re not likely going to be writing heavy metal. But what if you like lightly-accompanied music for the transparency of its sound, but you wish your song had a bit more […]
There is a pattern you’ll notice in most pop songs, which is that as they move along, they alternate between sections that are ambiguous in nature and sections that are much clearer and easy to understand. I like using the terms “fragile” and “strong”: In many songs, that “fragile-strong” labelling is synonymous with “verse-chorus” structure. […]
Like anyone else, songwriters look for ways to improve what they do. How to improve as a songwriter is a topic that gets discussed a lot, and there are many, many opinions. If you want to improve as a geologist, everyone will agree that the best way is to combine studying at a university with in-the-field […]
The purpose of a payoff line is to provide a point of focus for your lyric, and, by extension, a purpose for your song. It’s a kind of hook that is delivered by the lyric. When a listener hears a good payoff line, their subconscious reaction is, so that’s what the song’s really about. (Example: […]
If you were going to go on a long journey, you’d consult a map. If you’re using your smartphone, you’d consult the numbered steps on a Google or Apple Maps list (“Turn left onto West Street…”), and you’d mentally check off each listed location along the way. And you’d be confident that as long as […]
The composer Mozart almost always composed by finding a catchy melody as a first step, and then finding a bass line that supported it. Filling in all the missing instruments was, for him, something closer to a final step in composition. We can infer two things from this kind of compositional process: He considered melody […]
