I’ve always liked R.E.M.’s “Losing My Religion,” but there’s something odd about it. Because most of its melodies and melodic fragments dwell on the 3 notes A-B-C, in the key of A minor, it sounds very much like a drone. Normally, that just doesn’t work all that well for a song; you normally want to hear […]
The basic mood your songs convey is one of the most important aspects of songwriting. Before anyone figures out even what your song is about, they can pick up a mood pretty quickly. And the one element that often conveys mood quicker than any other is the chord progression. That, in a nutshell, is why so many songwriters […]
It’s only taken me about a year and a half, but I finally have a new songwriting video up. “Why Hooks Are So Important To Pop Songs ” is an introductory view of song hooks – what they are, and their fundamental characteristics. The video actually serves as a good introduction to more in-depth look […]
I don’t play golf, but I know a few people who do. My general feeling about it is that I rarely hear anyone talk about the pleasure they get from the game. It’s always about their low level of ability and their general frustration with that. It almost seems that for weekend golfers, no one is deriving […]
To write a love song lyric means different things to different songs. You can write about how nobody understands your relationship, or you can write of simpler things: how much you love the other one. Or perhaps you’ll use imagery: your love is like a flower garden, a walk in the park, a sunny day… that sort […]
Every chord has contains at least 3 notes: C uses C-E-G; Dm uses D-F-A; Em uses E-G-B, and so on. Some chords contain more than 3. For example, G7 has the 3 notes that make up the “triad” part: G-B-D, and then a 7th on top, making it a 4-note chord: G-B-D-F. The root of a chord is the note represented by […]
