Songwriting tends to happen in two stages. First, you spend a certain amount of time creating ideas, and second, you experiment with, pull together and reshape those ideas until you get the song into its final form.
Some songwriters find the first stage relatively easy, but get frustrated trying to make a finished song. They get stumped when trying to modify what they’ve done, so they wind up with a song that they seem to have written rather quickly, but sounds weak somehow.
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There are lots of ways to take a song and experiment with it to find the gem inside. If you’ve created some song ideas, you might try:
- Changing the mode. You can take your original song ideas that you put into the key of F major, say, and try them out in F minor.
- Changing the instrumentation. If, for example, you’ve accompanied yourself with guitar or other chording instrument, you can try an instrumentation that sounds fresh and interesting. Production changes are almost always compelling, and can yield surprising results.
- Changing the performance style. Changing the way you play your instrument(s) makes more of a difference than you might imagine.
- Changing the time signature. Most songs in the pop genres are in 4/4 (also called “common” time), but 3/4 (like “Lucy in the Sky With Diamonds”), or even something like 5/4 (the “Mission Impossible” theme) 7/4 (verses of “All You Need Is Love” – Lennon & McCartney), brings out a whole new character.
But the one modification that makes a dramatic change in feel without needing consciously to change much of anything else is to change the tempo.
You’ll notice that when you take a ballad and speed it up so that it isn’t a ballad anymore (compare Willie Nelson’s recording of “You Were Always On My Mind” with the Pet Shop Boys’ uptempo rendition), or take a fast song and slow it down (compare Eric Clapton’s faster and slower version of “Layla”), it feels like a completely new song.
Once you’ve changed the tempo, other things will change just as a natural result, and those things will be some of the other things in that list above, instrumentation and performance style in particular.
So if you’re looking to make the most dramatic change you can to you recently invented song idea, nothing gives you a bigger change than simply playing it at a new tempo. That one change does more to get your head into a new space with your song, and sometimes that’s what it really needs.
Written by Gary Ewer. Follow Gary on Twitter.
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OK THANKS GARY!
HELLO GARY!!
GARRY I HAVE A ROCK INSTRUMENTAL SONG IN HIGH TEMPO. I AM WANDERING IF I CAN HALF THE TEMPO FOR MY CHORUS SECTION. I THINK SO BECAUSE:
1. SONG MIGHT BE MONOTONOUS IF WHOLE SONG IS IN THE SAME HIGH TEMPO ; ALSO THE ENERGY LEVEL OF SONG WILL BE HIGH FOR WHOLE SONG BECAUSE OF FAST TEMPO
2. SLOWING DOWN TEMPO FOR CHORUS MIGHT MAKE MY MY CHORUS MELODY MORE BEAUTIFUL.
SO GARRY I WANT TO KNOW FROM YOU THESE THINGS:
1. CAN I GO WITH THE SAME FAST TEMPO FOR WHOLE SONG. WILL IT WORK? WILL IT SOUND GOOD?
2. CAN I HALF THE TEMPO FOR MY CHORUS SECTION (because of reasons i mentioned above) WILL IT WORK? WILL IT SOUND GOOD?
3. WHICH IS THE BETTER OPTION OF THOSE TWO( though i think it might depend on that particular song) BUT STILL I WANT TO KNOW YOUR OPINION.
GARRY PLEASE ANSWER ALL 3 QUERIES.
THANK YOU GARRY!!
The normal circumstance would be to keep the same tempo for the entire song. There are songs that do feature changes in tempo, and there’s nothing wrong with that. But the normal situation is to set up a tempo in the intro or first verse, and keep it for the entire song.
If you are looking to create contrast in your song, it’s probably best to keep tempo the same, and look for other ways to create that contrast: key, chord progression, etc.
I hope this helps,
-Gary