A pre-chorus is not a mandatory section of a song. In fact, most songs don’t use them. But in some circumstances, a pre-chorus can be a vital addition to the structure of a song. It sits between the verse and chorus, and its main purpose is to better prepare the listener for the arrival of […]
A good lyric might use clever rhymes. And it might use no rhymes. You might write a lyric that’s long and involved, or you might write one that uses very few words. Your lyric might be a story. Or the story might be only vaguely implied. You may write about love, or you might write […]
When you’ve got a song that has potential but sounds like it’s got problems, your instincts are to start looking at the separate elements that go together to make that song. You’ll put the magnifying glass on the lyrics, on the chord progressions, the melodies, trying to find out which bit is causing the problem. […]
One of the most powerful and effective aspects of songwriting is creating a sense of expectancy. That term expectancy refers to a song’s ability to make you want to hear what happens next. Without that quality of expectancy, a song would have no ability to keep listeners listening. The best element to look at to see expectancy […]
Whenever you play a chord, you’re usually playing it in what’s called root position. This means that the root of the chord (the note represented by its letter name) is going to be the lowest-sounding note — the one that the bass is playing. If you want hundreds of chords to experiment with, “The Essential […]
We humans have an innate tendency to stay within our comfort zone, at least most of us. There are risk-takers out there, but more often than not we like predictability in almost everything we do. There’s nothing wrong with staying within a comfort zone, but if you’re a songwriter, writing the same way — staying […]
