Let’s say that you’ve got a verse that consists of a short melody and chord progression that repeats several times before it reaches the chorus. That might start to sound boring to you, and I want to suggest a way to alleviate that boring sense of repetition. How much a short melody can or should repeat before moving […]
I’ve always felt that humans learn more by connecting to a great metaphor than they do by a more direct (metaphor-less) description of something. Saying to someone, “I’m in love!” is, of course, clear and obvious. Saying “I’m over the moon!” is full of emotion and power, the kind of power that connects strongly to listeners […]
Not every good song becomes a hit, and hopefully if you’re a songwriter you know this already. In many ways, what determines whether or not a song becomes a hit has to do with what the industry of the day has to say about it. Hit songs, regardless of the decade, usually need to adhere […]
A year or so ago, I wrote a post about the power of boredom to songwriters. In short, the research is showing that people who are bored score higher in creativity tests. This morning I was listening to a program on CBC Radio 1 called “Ripple Effect.” Part of the show was devoted to the […]
In music, when we think rhythm, we’re usually talking about rhythms that naturally come about due to one or both of the following: the rhythms created by the way a lyric is sung; the rhythms created by the rhythm section of the band/production. In good music, rhythm means more than that. As a songwriter (and […]
If you’ve ever written an instrumental, you’ve hopefully noticed that the same principles of good composition apply as when writing a song that’s meant to be sung. The way the chords work, the way you shape the melodies, and the general ideas behind production issues — these things stay the same whether you’re writing a […]
