It’s amazing how much music you can write with so few ideas. Here’s what I mean: A typical song will have a verse and a chorus, with the possibility of some other optional section, like a bridge. Each of those sections are usually constructed on one main idea, with other related ones. So that means […]
A hook – that short, catchy, memorable moment – is an important feature of many hit songs. Hooks don’t just show up in pop music; classical music also makes use of hooks. But classical composers are far less likely to discuss it or consider it a make-or-break element within their music. That’s because classical works are often […]
Yesterday I was in rehearsal with Symphony Nova Scotia for a pair of concerts I’m conducting today. It’s a particularly fun concert – for young children – and it gives the kids a chance to do something that most people never get to do: to play with a symphony orchestra. The concert is based on a […]
There is a reason why treating the principles of good songwriting as if they were rules is a bad idea: you might inadvertently kill a good song. If good musical composition were guided by rules, many number 1 hits would likely have been tossed into the trash bin due to the fact that they did something […]
Do you struggle with the same songwriting issues time and time again? The answer may be at “The Essential Secrets of Songwriting” online store. I occasionally make the following statement when I think people might be listening: You cannot learn to be a songwriter. You can only learn to be a better songwriter. I say […]
It’s interesting that music in pop genres has mainly favoured the tenor male voice. Most songs will sit in either the high baritone or tenor range. I say interesting, because I was reading recently about a recently-completed study that has examined how much we like or are drawn to high or low-pitched speaking voices. You […]
