When we think of the term musical energy, we might immediately think of loudness and tempo. But as a songwriter, you need to develop a slightly more sophisticated understanding of how musical energy works, and what it can do to make people want to listen to — and come back to — your songs. If you’re […]
Songs in the popular genres (Pop, rock, country, etc.) make great use of improvisation as a compositional tool. It’s partly why so many pop songs have multiple writers. With a group of bandmates, you can write very quickly, as long as someone provides that initial musical idea. If that initial idea — a bit of chord, […]
There is research out there that tells us that people like listening to sad music. It doesn’t necessarily bring them down, and in fact can have an opposite, buoyant effect. That’s because as listeners, we want to feel something, and as long as whatever the sad song is about isn’t describing our own state of affairs […]
The power and strength of your lyrics is an important part of how future audiences will rate you as a songwriter. It’s true that some fantastic songs have had pretty mundane lyrics. “I Love Rock ‘n Roll”, written by Alan Merrill and Jake Hooker, and made most famous by Joan Jett’s 1982 recording, is in […]
The thing that’s bad about a songwriting formula is the predictability of it. When you write to a formula, you’re working out a song based on the notion that “when I do this, I should then do that.” And if you write that way, every song you write is going to have an undesirable sameness. […]
If one of your songwriting struggles is to get the verse and chorus melodies to sound like good musical partners, you may be surprised to find that the answer may not be to make them similar. Sometimes good verse-chorus partnerships happen when those two melodies have very different structural qualities. When it comes to making […]
