If you’re still struggling with the fact that all your songs sound similar, the first step in dealing with it might be not to worry: a bit of similarity is not necessarily something that needs to be avoided. After all, if you listen to any hit group, you’re going to notice at least some similarities, and […]
For most songs in the pop genre, the bit that you really love will be some short, catchy fragment. That fragment — the hook — is the bit that you’ll remember forever about that song. Long after you’ve forgotten almost everything else, you’ll remember that hook. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, […]
“Adia” (Pierre Marchand, Sarah McLachlan) is one of Sarah McLachlan’s most successful singles, her first top 5 on the Billboard Hot 100 back in 1998. From a musical point of view it’s probably most notable for its beautiful melody and creative chord progression, and well worth a quick study. MELODY The melody (in C minor/Eb […]
Let’s say you’ve come up with a hook that you think should be something that works well as the main flag-waving part of your chorus. So then you set about to write a verse that leads into that chorus. But once that’s done, and you play the verse and chorus in sequence, you find that the […]
The following is an excerpt from the ebook manual, “The Essential Secrets of Songwriting, 4th Ed.” It’s an eBook that covers every aspect of how good songs work, with sound samples that let you hear the concepts at work so that you can apply them to your own songs. This excerpt, from “Chapter 3: Designing […]
For most songwriters, defining a hook is simple: it’s that catchy bit that makes up the main part of the chorus. It usually comes back over and over because that’s what choruses do — they reappear after every verse, and then again after the bridge. A hook is good if it has a melodic shape […]
