It’s a bit of a favourite activity for me to look at hit songs from years ago and try to figure out why some of them fade quickly from the musical radar (“Disco Duck“, by Rick Dees and His Cast of Idiots, No. 1 in 1976), while others never make it to No. 1, but […]
I wrote recently about the difference between theory and practice (“What’s Most Important: Theory or Practice?“) The best songwriters are the ones that know a bit of the theory behind what they do, and then spend a good amount of time “practicing” their art. The practical side of songwriting is the actual doing side. In pop […]
A flat-VI chord is a major chord built on the lowered 6th degree of a major scale. In C major, the 6th degree is A. Lowering it gives you Ab, and a major chord built on that note gives you the 3-note chord Ab-C-Eb: the so-called flat-VI. In pop music genres, the flat-VI chord quite […]
When I was a teenager, I had a somewhat limited knowledge of music theory and how it worked. I think that’s typical for most young people. I played trumpet and a bit of piano, so I could read notes in the treble and bass clef, but I had a very rudimentary understanding of what chords […]
No matter what your favourite songwriting process is, all songs start with you getting some sort of musical idea. It might be a fragment of lyric, a catchy chord progression and rhythm, or even just a short bit of melody. Who knows where these ideas come from… often they seem to pop out of thin […]
Musical momentum, in practical terms, determines how likely a listener is to keep on listening to your song. Momentum propels music forward. When you hear a verse, and it sounds like it is begging for the chorus, that’s musical momentum at work. You might also use the word energy, but the result is the same. Every […]
