A strong hook is only part of what makes a pop song successful. Your song might have a catchy hook, but if it generally avoids some of the more important principles of songwriting, that hook won’t save it. In fact, a good hook can be wasted on a song that has other obvious problems. All […]
I’m fond of pointing out the similarities between all the different genres of music, because it reminds me that no matter what style of music we call our own, we’re all trying to do the same thing: touch the emotional soul of the audience. For most musical genres, the main differences with songs lie in […]
How early in the songwriting process do you think about the formal design of your song? Do you ever think about verse-chorus design options of your song as soon as you create a good songwriting idea? As you’ll hopefully know, getting good songwriting ideas is not the same thing as being able to write a […]
Chord progressions, even in music that sounds innovative or novel, are usually the most predictable part of a song’s design. A song might have lyrics that are hard to understand, and use odd instruments, time signatures or unpredictable melodic ideas, but chords are usually the most easily understood part. That’s why I often use landscape […]
If you visit any of the many online songwriting forums, you’ll know that the most common comment/question you’ll find is some variation on “What do you think of my new song?” Who do you ask when you need help with a song? The songwriters asking for online opinions tend to be newbies who are genuinely wondering […]
You’ll notice that when you’ve got a melody, the notes of that melody imply the chords you’re likely to use. That’s not to say that you’ve got no choice in the matter, of course. For every chord you might use, there is a list of chords that could serve as substitutes. Just as an example, […]
