There’s a concept in music that applies to chord progressions called harmonic rhythm. That term is used to describe how frequently (i.e., how quickly) chords change, especially in relation to how many notes of melody happen between changes. As you know, some songs use progressions where each chord is strummed for a relatively long time before […]
Do you get stuck at the melody-writing stage of songwriting? Do you find chords easy, but melody hard? What can you do to come up with melodies that are enticing and attractive to an audience? Melodies and lyrics are the trickiest parts of songwriting for most songwriters, because those are likely the parts of songs […]
What’s the most effective way to learn songwriting? Is it like other topics that you might learn in a college school? I taught music for years in public school and then at university, but I don’t believe that school is the best way to learning everything. “Chord Progression Formulas” show you how to create dozens […]
If you’re familiar with Maurice Ravel’s “Bolero”, you will know that it is comprised of a 32-bar long melody in two 16-bar parts which repeats, over and over again, with the only change being the orchestration of the melody. There is no other musical development. No change of key, no change of tempo, no competing […]
When I taught ear training at university, I had students of widely varying abilities. Some could, as they say, hear paint dry, while others “couldn’t hear a bus.” One of the tasks my students had was to notate melodies as I played them at the piano. (I won’t go into the technique I used for […]
If you’re bored with your chord progressions, you’re likely to opt for throwing them out and creating ones that are more creative. The problem with that approach is that you can wind up with chords that just don’t work well together, all for the sake of finding something more interesting. If you’re serious about songwriting, […]
