Good moments in music are good because they make us believe that even better moments are coming, and so we want to keep listening. The inverse of that is true as well: bad moments in music make us believe that nothing better is coming, and so we give up listening and click to hear something […]
Mozart improvised. Mozart had good days and bad days. In fact, much of Mozart’s compositional process, if you research the topic, looks a lot like the kind of songwriting process we see today: a lot of experimenting, keeping good ideas, throwing out bad ones, and so on. So let’s take a look at some of […]
These days, boredom is getting a lot of attention. It used to be that boredom was considered to have no redeeming qualities. Being bored simply meant being disinterested in whatever you were up to, and that you haven’t found anything to grab your interest. More recently, psychologists have been conducting research into the benefits of […]
There are ways to make sure that the various sections of your song connect well together. Some of them are obvious – like keeping a consistent key throughout, or keeping the tempo the same, and so on. It’s possible (and relatively common) to have various sections in different keys, but the connection comes from the choice […]
Do you find that you constantly get stuck at the lyric-stage of songwriting? When everything you write sounds wrong, it can leave you with practically no new direction to try. Compare that problem to a similar problem with writing melodies. If your melodies aren’t working, more improvisation should get you finally moving in the right […]
It’s usually not hard to know that a song we’re listening to has reached the chorus. We’ll notice that the chord progression will get shorter and simpler, and target the tonic chord more. The melody of a chorus is often made up of short, catchy, hooky bits that get repeated over and over, and the […]
