Songwriter in a Hotel Room

Anyone Still Writing Songs the “Old Fashioned Way?”

I came across an article in my Twitter feed this morning, though it’s been out there for a couple of weeks, and you may have seen this already. “Songwriting: Why it takes more than two to make a hit nowadays” discusses why today’s hits seem to have such a long songwriter credit list, while a couple […]

Stepping Away From Songwriting Can Help Cure Writer’s Block

As you write songs, you’re digging into your creative mind to concoct something imaginative — something that the world hasn’t heard before. That level of creativity isn’t easy to maintain. If you’re a daily songwriter (and most of the successful ones write almost every day), there is an unwelcome partner working alongside you: frustration. Frustration is normal […]

The Who

5 Options for Shortening a Song That’s Too Long

I get songs sent to me now and again, for me to give my thoughts on improving them. (If you’re having a problem with something you’re writing and would like my input, I’ll direct you to this post. It will let you know how to go about that.) Here’s an interesting fact about the songs […]

The Wrecking Crew

Adding Non-Standard Instruments to Your Song Recordings

How much thought do you give to the instrumental accompaniment for your songs? The question may feel like a no-brainer; if you’re a guitarist, you’ll use guitar. If you’re a keyboardist, you’ll lean towards using keyboards. But simply deciding to use the instrument you’re most comfortable with may be missing great opportunities to create something interesting for […]

Gotye

Improving Your Verse Lyric By Reading It Aloud

You’ll often hear that the verse is where you tell the story in your song. Most of the time, however, a song verse tells its story in a roundabout sort of way. There are the songs we call story songs – the ones that give a specific account of events in a sequence we’re used to when we […]

Great Song, But How Do You Get People to Care?

In 1958, American composer Milton Babbitt wrote an article for High Fidelity Magazine, called “Who Cares If You Listen?” The provocative title referred to the complexity of modern classical music, and the inability for most people to understand it or enjoy it. Babbitt’s position was that music had become like advanced physics or mathematics: too […]