A chord progression is the one element that doesn’t overly hurt a song if it’s predictable. Creative songs are still being written using the tried-and-true I-IV-V-I progression. It’s the uniqueness of the melody and lyrics (and all the related bits such as phrasing, rhythm. etc.) that really matter. Having said that, there’s something nice about […]
Do you feel that your songwriting has plateaued? Are you worried that you’ve reached a level of ability that you’ll never surpass? And if the answer to those questions is ‘yes’, it begs a third question: What can you do to take things to a new and better level? Stagnation in songwriting — and in fact in any of the […]
The world is a big place. I only mention that because that’s one possible reason why no one is humming your melodies. You need to be realistic in your expectations. If you aren’t actively trying to build an international audience base, most people actually won’t be humming your tunes. But that’s not what I’m talking about […]
There’s nothing like the term “song form” to have one’s eyes glaze over. In songwriting, you just want to get going with your writing. And you’ve probably written dozens of songs up to this point without even giving the term “form” a second (or even a first) thought. When we talk about form, we’re talking about […]
A typical audience member is better at saying why they like a song than why they don’t. When a listener doesn’t like a song, they don’t take the time to wonder why. They just don’t like it, and that’s all they know. They click to listen to something else, and they’ll do that until they find […]
An understanding of music theory can help make you a better overall musician, but doesn’t “create” musical abilities within you. To use an analogy, a bad violinist can buy the best multi-million dollar Stradivarius violin, and still sound bad. As a songwriter with certain abilities, and therefore certain successes, you can (and likely will) become a better musician as […]
