When Songs Have Too Many Ideas

When you love a song, its main hook is usually its most important feature. In a sense, no matter what else goes on in a song, everything works toward the hook. While the quality of all features is vital, everything culminates in the hook. It’s like climbing a mountain. The mountain peak is the immediately identifiable feature. That […]

Music Studio Sound Board

A Good Recording Needs a Good Song As a Starting Point

I still believe that no matter how excellent the quality of gear is these days, and how easy it is to do your own sound recording, that if you really want an excellent product to “shop around,” it’s a great idea to hire a professional producer. A producer is positioned to be more objective about […]

Song Lyrics: We’re In a Different World (Aren’t We?)

There’s no denying that when it comes to lyrics, we’re in a very different world today when compared to what was being written in the earlier days of rock & roll: “All Shook Up” (Otis Blackwell and Elvis Presley) 1957: A well’a bless my soul What’sa wrong with me? I’m itchin’ like a man in […]

Computer - Music Studio

The Similarities Between a Building’s Structure and a Song’s Structure

What exactly is song structure, and how important is it to the success of a song? When we talk about structure with regard to, let’s say, a house you’re building, we can generate a good number of analogies, all of which, it could be argued, apply metaphorically to songwriting: A house has walls, beams and other […]

Making Best Use of a “Fragile” Songwriting Idea

To describe a musical idea as “fragile” means that there is a certain measure of ambiguity. I like to use the term especially when describing chord progressions. A fragile progression is one in which any of the following are true: The chords do not strongly indicate the key. For example, moving back and forth from Am […]

Piano & Guitar

Using the iii-Chord (and All Its Alternate Spellings)

For any major or minor key, you can build a chord on top of each note of its scale. That gives you seven chords that naturally exist for every key. If you do that with C major, for example, you get the following chords: I: C ii: Dm iii: Em IV: F V: G vi: Am vii: […]