There’s no particular songwriting principle that says that there needs to be a noticeable connection between the various chord progressions within a song. If you’ve got a song that uses a verse-chorus design, you can use a completely different progression in each section, progressions that have absolutely no obvious similarity. Having said that, there is a benefit […]
In songwriting, the term contrast refers to providing opposite-sounding characteristics to any one song component: melodies that move higher, then lower; chords that are mainly minor, then major; instrumentation that’s at one point soft, then loud, and so on. It’s not important that every element within a song show a degree of contrast. For example, you can […]
One of the biggest challenges for songwriters is to write something that’s unique and innovative, but not so unique that it turns your target audience away. At the same time, if it’s not unique enough — if it’s too predictable — you’ll also turn audiences away because they’re bored: they can hear what’s coming before you […]
Beyoncé’s latest hit single, “Break My Soul” (written by Beyoncé, Tricky Stewart, The-Dream, et al) is currently at the top of the Billboard Hot 100. Every hit song balances standard fundamentals of songwriting with something unique and innovative. So let’s take a look at three songwriting innovations that set “Break My Soul” apart and make […]
There’s more to a song hook than meets the ear… a lot more. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” is a vital manual for any serious songwriter. A bridge is an optional section of a song that usually happens either: …after the second chorus in songs […]
A good melody needs to be memorable and at least somewhat easy for the average listener to sing or hum. Someone singing and humming a tune as they walk down the street is one of the proofs that a melody has done its job. When you hear a problem with your song, but don’t know […]
