If you look at a lyric from a typical pop song, you’re not usually looking at something that’s deep or complex. Usually that’s by design: the purpose of most pop songs is to create emotions within the listener, and it’s hard to create emotions when the words and their contextual meanings are intricate or convoluted. […]
Is there anything more frustrating for songwriters than when a song starts easily, but the whole process grinds to a halt before even half the song is finished? There are several potential causes for this sort of thing — and to be honest, you’ll likely encounter each and every one of them at some point. […]
I mentioned a few weeks back that I was enjoying a book I had received as a gift, called “Let’s Do It – The Birth of Pop”, by Bob Stanley. I’m most of the way through, and am still hugely enjoying it. I highly recommend it — you won’t be disappointed. If you’re stuck working […]
In a recent blog post (“Moving from Minor to Major in a Pleasantly Abrupt Way: Valdy’s ‘Simple Life’“) I mentioned the common occurrence in songwriting of writing a minor verse that then moves to a major chorus. Juxtaposing minor and major is a really good way of creating that all-important aspect of contrast in songs. […]
It may surprise you to know that if you go back enough in time — the Medieval era, for example — most music was all about the melody, and that harmony definitely played a secondary role: harmonies were incidentally created as several melodies were played together. While today, most music is a melody with chords […]
It’s not unusual for songs to start in a minor key and then change key (“modulate”) to a major key. When you think of how songwriting has changed over the decades, that one aspect — the minor-to-major key change — has remained relatively common. The change from minor to major has a brightening affect, as […]
