How to Substitute One Chord for Another

by Gary Ewer, from “The Essential Secrets of Songwriting” website: One way to inject some interest into your chord progressions is to experiment with substituting one chord for another. But rather than making it a mindless activity, consider chord categories. The three basic categories that we will consider for this article are thetonic, dominant, and predominant […]

Perfect Pitch – An Absolute Waste of Time?

by Gary Ewer, from “The Essential Secrets of Songwriting” website: You see the ads in music magazines all the time, and they’re designed to make you feel like you’re missing out on something BIG if you don’t have perfect pitch. But what’s the real scoop? Perfect pitch, also called absolute pitch, is the ability to recognize the […]

Marketing Your Songs

Written by Gary Ewer, Senior Instructor, Dalhousie University, from “The Essential Secrets of Songwriting” website. • Follow Gary on Twitter • Good songs sell! Check out “The Essential Secrets of Songwriting” 6 e-book bundle – available now at a 50% savings! ________________________________ You’ve got a bunch of songs that are ready to sell. But who do you market them to? And […]

Chords and Speed

by Gary Ewer All it takes is one glitch with your chord progression, and your song can die the death. And one aspect of harmonizing your song that isn’t considered enough is the song’s tempo. Here’s how that works. In short, here’s the basic rule: the faster your song, the fewer chords it needs. And […]

Let Me Introduce My Song

by Gary Ewer. The ideas in these blog articles are the sorts of ideas you’ll find in Gary Ewer’s Songwriting e-books: A favourite pet peeve of mine is the mindless sort of one-chord intro that gets stuck onto the front end of an otherwise pretty good tune. Your song deserves better. If you’ve got the imagination to create […]

The Psychology of the Melody

by Gary Ewer, from “The Essential Secrets of Songwriting” website: For most songs, melodies are what we use to convey our lyrics. And it’s important to realize that in general, the kind of melody we write for use as a chorus will not be the same as what we’d write for a verse. There’s psychology that […]