The tonic note is the note that represents the key your song is in. So if you’re writing in G major, the tonic note is G. The tonic note is of tremendous value in strengthening your song’s overall structure; its importance cannot be overlooked. How you use it is what Songwriting Principle No. 8 is all about: The presence of […]
Not all songs, you will know, use a verse melody that differs from the chorus melody. When you use the same melody for both, you need to be careful abouthow to make them somehow different. Songwriting Principle 4 dealt with that. But if your verse and chorus are different, what do you do to make […]
Many songwriters become fixated on one aspect of a song, to the detriment of the others. In my experience, more songwriters worry about their chord progressions than anything else. If you find chords hard to come up with, that fixation may make sense. But the most important element of a song may not actually be any […]
Setting up your song’s groove is not possible without considering harmonic rhythm. The harmonic rhythm of your song is, in short, how often the chords change. And for the best songs, this rate of change needs to be a constant factor most of the time. It’s what Songwriting Principle No. 5 is all about: There […]
Chord progressions are funny creatures. We spend so much time looking for that elusive set of chord changes that are going to make the listener sit up and take notice. And actually, the best progressions are the ones that stay out of the way of the song. If your progressions are drawing that much interest, they’re probably drawing toomuch […]
You might think that when I talk about “strong” progressions I’m really talking about “good” ones, but that’s not what I’m referring to. A strong chord progression has a particular set of characteristics that contrast with the other category: fragile progressions.Good songs use a combination of strong and fragile progressions. So what is the principle […]
