guitar - keyboard - headphones

Looking Past Myths to Improve Your Songwriting Skills

I don’t know if you feel the same way, but I have a somewhat cynical view of the things I see online. I’ve learned (and hopefully you have learned as well) that you have to take much of what you see with a grain of salt, and do a bit of research. But of course […]

Alan Parsons Project

Using Musical Motifs as a Kind of “Signature”

You may have heard the word motif before and wondered what it is, and how it might apply to songwriting. It’s a term that’s somewhat similar to hook — and that’s a word you’re probably a lot more familiar with. A hook is a musical idea that repeats throughout a song, though we often associate it chiefly […]

Steve Hackett - Genesis

How to Use an Inverted Pedal Point

Back on January 11, I wrote a blog post demonstrating how a bass pedal point works. In its simplest terms, it means keeping the same bass note while the chords above it change, regardless of whether that bass note is actually a member of the chord or not. I thought I’d mention its close relation, […]

Songwriter - lyrics

Forced Rhymes: the Ever-Present Danger of Rhyming Dictionaries

Apparently Bruce Springsteen used a rhyming dictionary to come up with the lyrics to “Blinded By the Light.” That cleared up a long-held puzzlement for me: I was finding it hard to understand how in the world his musical mind was coming up with those lyrical images: Madman drummers bummers and indians in the summer […]

Songwriting duo

In Songwriting, Does the End Justify the Means?

If, in the end, you get what you want, does it really matter how you got there? If you ask that question in some settings, it’s a loaded one, with intense moral implications: if you were able to get enough money to finally buy that car you’ve always wanted, great. If you got that money […]