If you’re looking to become a better songwriter, don’t forget about improving your ear. Being able to identify chords, rhythms and melodies by ear is helpful in two major ways: It speeds up the songwriting process. You may have a certain chord or melody note in your mind but may not have the ability to […]
If you look at an article from a newspaper, the first thing you see is the headline. Headlines are written to grab a reader’s attention. It’s fair to say that newspapers will gain or lose readers based on the quality, accuracy and attractiveness of a headline. In the news world, the headline gives a summation […]
Of all the various elements that go together to make a song, a chord progression can get away with being less than imaginative. Your melody and lyric both need to be new and interesting, or else you haven’t written an original song. But the chords might be as mundane as a standard I-IV-V-I type of […]
The best lyrics, whether they’re straight-forward (“Somebody That I Used to Know” (Gotye), for example), or complex (“Roundabout” – Jon Anderson/Steve Howe), share an important feature: they typically use words that you’d find in casual conversation. Take some time to look at the lyric sheets of your favourite songs, and no matter what genre you […]
Psychologically speaking, there are two ways to approach songwriting; you can be the kind of person who assumes you’ve got it wrong, or the kind of person who assumes you’ve got it right. Most of the time, your songwriting process relies greatly on improvisation and testing ideas as you go. When you create something — […]
Here’s an alternative to always thinking in the verse-chorus format: try creating three short melodic fragments, all in the same key, and then putting them together to create a complete song. Don’t worry or think about which one is the verse or chorus. If you want a real example of what I’m talking about, you […]
