Most songwriting processes use improvisation to some degree. Early in the process, improvising can seem aimless and futile. There’s a good reason for that: the best songs are a partnership of ideas. And since you’re just starting, most of the ideas you and your bandmates are coming up with might not be communicating with each other. […]
You may not have considered the up-or-down direction of your song melodies as being all that important, but it can go a long way to adding structure and musical interest to your song. Specifically, contrasting upward-moving phrases with downward-moving ones can be an aspect of musical contrast that keeps listeners listening. What I’m about to […]
Good songs don’t follow rules; it’s more a case of following guidelines. That means that every time you think you’ve identified a songwriting “rule”, you can come up with a list of songs that don’t follow it. Here’s a good example: if you look at a hundred different songs and try to identify the characteristics […]
There’s a lot you can study about chords — about the way they work, how to choose them, and how one progression relates to another. All of it comes under the large umbrella called chord theory, and it’s a very large umbrella. Some songwriters have a knack for it; it’s not something they have to consciously […]
With song melodies, big melodic leaps can do a lot to inject some emotional energy into the lyric of the moment. The upward leap is common, probably more common than the downward leap. I’m not sure why that is, but downward leaps seem to require a bit more work to make them successful. There’s something […]
Starting a song by coming up with the title first can be a great way to get your musical imagination working. The title of a song is usually part of the lyric, and it’s often an integral part of the hook. When song titles occur as a prominent part of the chorus — either at […]
