An inverted chord is one in which the lowest-sounding note of the chord at any given moment is not the root of the chord. Inversions have a subtle way of manipulating the mood that a particular chord conveys, and can be a really great tool for songwriters looking to make their chord choices sound more sophisticated. […]
On this blog, I find that I often describe chord progressions as being that one element of songs that doesn’t need to be complicated or unique. My main reason for downplaying the need for unique chord progressions is simply this: the more complicated a progression is, the more likely you’ll wind up with one that just […]
In most songs, key changes happen for any one or more of the following reasons: It raises musical energy. The most typical example of this is the song that has a minor key verse, then switches to a major key chorus. That brightening of the key from minor to major increases musical momentum as it […]
You may not think of many of the early Beatles songs as using complex or unusual chord progressions, but for their day, they were noticeably creative. Where so many other early- to mid-era rock and roll songs were barely straying beyond the basic I-IV-V-I kinds of progressions, The Beatles were throwing in modal mixtures, secondary […]
Of all the various elements that go together to make a song, a chord progression can get away with being less than imaginative. Your melody and lyric both need to be new and interesting, or else you haven’t written an original song. But the chords might be as mundane as a standard I-IV-V-I type of […]
Innovative, unique chord progressions are tricky, because in most pop songs the chords have an important function: provide a simple way — a musical path or road, so to speak — to move away from the tonic chord and then back again. It really is that simple. “The Essential Secrets of Songwriting” eBook bundle includes “Writing a Song […]
