There’s a lot you can study about chords — about the way they work, how to choose them, and how one progression relates to another. All of it comes under the large umbrella called chord theory, and it’s a very large umbrella. Some songwriters have a knack for it; it’s not something they have to consciously […]
Forward motion, or momentum, is an important characteristic of songs. Simply put, momentum makes one moment of a song lead naturally — sometimes almost impatiently — to the next moment. If you hear a verse that seems to “beg for” the chorus, that’s an important characteristic of momentum. Audiences aren’t usually thinking in terms of […]
There are lots of ways to categorize chord progressions, but the one way that will be most useful for pop songwriters is to think of them as being either fragile or strong. A fragile progression is one where the key is not necessarily clear and obvious. These can be very beautiful progressions, and are the kind that […]
An inverted chord is one where the letter name of the chord (C, let’s say) is not the lowest sounding note. Normally, if you play the C chord in your band rehearsal, that means that the lowest sounding note, the one played by the bass or left hand of the keyboard, will be C. “The Essential […]
Get the eBook bundle that thousands of songwriters are using to improve their songwriting technique. “The Essential Secrets of Songwriting 10-eBook Bundle” comes with a free copy of “Use Your Words! Developing a Lyrics-First Songwriting Process.” One common complaint I hear from songwriters is that when trying to come up with a unique or creative […]
You may be familiar with the term relative major — that’s the major key that uses the same key signature as a particular minor key. It’s a very common key relationship in pop songs, because if you’ve written a song that uses a minor key verse, and you decide to switch to major for the chorus, […]
