When you play through chord progressions for songs you know, you’ll occasionally come across ones that involve a slash: F/A, C/G, Dm7/F, etc. These kinds of chords are called inversions, known colloquially as “slash chords” because of that slash. As you probably know, the letter name before the slash is the actual chord that you should […]
One of the biggest drawbacks to starting your songs by working out a chord progression is that melodies can get a bit neglected. Historically, composers in the Classical realm rarely if ever started compositions with just chords. They’d practically always start with something hummable (a melody), or something otherwise memorable (the lyrics, perhaps). And since […]
Most chord progressions work best in the forward direction, and the longer a progression is, the truer that statement is. For shorter progressions, you’ll still often find that a progression sounds best when played beginning to end, but you’ll notice that playing them backwards isn’t a total wash-out. For example: C Am F G C […]
Let’s say that you’ve been working out a new chord progression, and you’ve found something — a combination of 3 or 4 chords — that really seems to work. The trouble is: you can’t figure out what key that progression is in. How do you identify it? The first question you might ask is this […]
There are a few important spots during a song, moments that serve as connectors between one section and the next. What happens during those connecting moments will either enticingly pull the listener along and make them want to keep listening, or that moment will fail to do its job, and we feel a temporary “lull” in […]
Starting the songwriting process by working out chords makes a certain amount of sense, mainly for the reason that chords can provide a strong sense of mood. The theory is that if you can get some good chords working, and then pair them up with a rhythmic groove, you’ve got the makings of the feel […]
