Changing key within a song is one way of keeping things interesting. One of the most popular ways to do this is to create a song verse that’s in a minor key, and then switching key (called modulating) to the relative major for the chorus. Lots of songs do this, and you can take Eagles’ […]
When I listen to a song that’s spent a good deal of time at the top of the charts, I’m often amazed by how simple its structure is, how simple the chords are, and how few notes the melody actually uses. Sure, there are the exceptions. Elton John’s songs, for example, tend to use long […]
Getting melodies and chords working well together is vital knowledge for any songwriter. “How to Harmonize a Melody” shows you, step by step, how that works, and gives you sound samples to follow. About seven years ago I wrote a blog post about the best way to create chord progressions for a song’s bridge. I […]
Whether you come up with the chords and then create a melody, or have a melody that you want to add chords to, you need to be sure that the chords are properly supporting the melody. When chords and melody work well together, you have the happy circumstance that they both sound better than they […]
This is a bit of an addition to yesterday’s post, in which I gave some thoughts on the melody and lyrics of Bruce Springsteen’s “Hungry Heart“. There’s one other aspect of this song that deserves a quick mention: the key change at the song’s instrumental bridge (at 1’38”). The song is in C# major. We […]
Chord progressions are responsible for much of the mood that we pick up in a song. Chords don’t do it on their own of course, but we get a clearer picture of the mood from the way the chords change more than from pretty much any other single element. Simple, standard progressions work just fine […]
