Good songs don’t follow rules; it’s more a case of following guidelines. That means that every time you think you’ve identified a songwriting “rule”, you can come up with a list of songs that don’t follow it. Here’s a good example: if you look at a hundred different songs and try to identify the characteristics […]
Symphonies and operas are probably the longest complete works in our musical history. By the time you get to the end of the Romantic era (i.e., the end of the 19th century), a typical symphony (or symphony-like work) could be over an hour long. By contrast, songs in the pop genres (pop, country, rock, etc.) […]
Even non-musicians have an idea of what the hook of a song is: it’s the short, memorable bit that comes immediately to mind when you ask someone, “Hey, do you know the song ____?” Back in the 70s, if you asked someone, “Hey, do you know the song “Stayin’ Alive”, they’d immediately sing, “Ah, ah, […]
I’m a fan of Genesis, but enjoyed the older incarnation of that group more than the one in the mid-80s. That’s not a criticism at all because I think Genesis wrote brilliant pop music. I just happen to like their older prog rock style. Genesis wrote and recorded “Tonight, Tonight, Tonight” for their 1986 “Invisible […]
For most songs in the pop genre, the bit that you really love will be some short, catchy fragment. That fragment — the hook — is the bit that you’ll remember forever about that song. Long after you’ve forgotten almost everything else, you’ll remember that hook. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, […]
A hook has several defining attributes that all partner together to make it memorable and catchy: It’s main identifying characteristic is its shortness, making it easy to remember. It has a melodic component that frequently includes some sort of leap, usually upward (“Born in the U.S.A.”). It has a rhythmic component that frequently includes a […]
