For most songs, if you speak of the hook, you’re talking about the chorus, and most likely the start of the chorus. Sometimes the hooky bit might be the end of the chorus, like Jimmy Gilmer and the Fireballs’ 1963 hit “Sugar Shack”. For pop songs, the hook has been a perennially essential ingredient. Because […]
We typically talk about a song’s hook as if there is just one. But in fact, most songs have several hook-like elements, all working to make the song attractive to listeners. While one of those hooks tends to stand out as the main one, songwriting success comes from having several of them on the go, […]
I write a lot on this blog about song melodies and their so-called climactic high point. That’s a term that refers (usually) to the highest notes of a song. I say usually because sometimes the climactic moment in a song isn’t necessarily it’s highest note. For example, choruses will often sound more climactic — more exciting […]
Here’s something interesting that you may not have noticed about the songs you love: the part you love may only be a few beats long. The rest of the song has the main duty of building up and leading to that great moment. Those first few beats are so enticing, so interesting, and so exciting, we […]
A strong hook is only part of what makes a pop song successful. Your song might have a catchy hook, but if it generally avoids some of the more important principles of songwriting, that hook won’t save it. In fact, a good hook can be wasted on a song that has other obvious problems. All […]
In songwriting, a hook is a short, catchy element within a song that gets repeated often, particularly in the chorus. There are many kinds of hooks, however, and if you’d like to read about those, try this article: “Exploring a Deeper Definition of a Song Hook.” One hook type that that article doesn’t directly address […]
