If you’ve written a hook, and most if not all of the following aren’t true, you’ve not really written an effective one: It’s got a short and easy-to-remember melody. It incorporates a catchy rhythm. It uses a relatively simple, short chord progression. It usually appears, disappears, and reappears throughout a song. It’s fun to sing. When […]
Songwriters use a variety of terms to describe various aspects of music. The definition of some of these terms are obvious, while others are hard to define, but “you know it when you see it”: groove, riff, pay-off line, the tune… these are words we just all seem to know instinctively what’s being referred to. “Hook” […]
Many songwriters use the word hook to mean a song’s chorus, but I like to be more specific when I use that term. A hook is a short musical idea that usually has three notable characteristics: A short, catchy melody. An interesting rhythmic component. A short, tonally strong chord progression. The combination of those three elements makes for […]
A hook – that short, catchy, memorable moment – is an important feature of many hit songs. Hooks don’t just show up in pop music; classical music also makes use of hooks. But classical composers are far less likely to discuss it or consider it a make-or-break element within their music. That’s because classical works are often […]
Most songs, if they are one of several possible verse-chorus formats, usually start with a verse, and before the 1-minute mark will move on to the chorus. The timing involved with this — i.e., the fact that we usually hear the chorus at or before the 1-minute mark, as you hear in a song like […]
In pop songwriting, the word hook is often used synonymously with chorus. “I’ve just written a hook” usually means that you’ve got the main part of your chorus done. But in fact, that concept we call the hook is more complex, and overlaps with other elements we typically call riffs, motifs, maybe even loops and other types of repetitive patterns. […]
