Melodies and lyrics are the two components of any song that must be unique. Song titles, chord progressions, rhythms… they can all have been heard before, and probably have. But melodies, if they share more than a few notes in a row with some other song, are said to have been plagiarized. Because every melody needs to […]
Because good songwriting usually starts with improvising ideas based on your instincts, you may not have given much thought to what note your tunes start on. The chord you choose, in most circumstances anyway, limits your choices to 3 notes: the root, the 3rd or the 5th. Understandably, there’s no rule that governs what the […]
Not every song is about the melody. For songs where the melody is kind of a neutral player, you’ll typically find that the rhythmic treatments, (especially background) will step up and take a leading role. In other words, the groove and feel become very important contributors. How you know that a melody is acting as a […]
In 1937 Carl Orff wrote “Carmina Burana,” a 25-movement song cycle/scenic cantata that became an instant audience favourite. My choir, Dalhousie Collegium Cantorum, is working on this piece in preparation for an early-April performance, and it’s a ton of fun. Even if you aren’t familiar with the entire work, you likely do know the epic first song, “O […]
There are lots of tricks that composers have used over the centuries to create new melodies based on already-existing ones. Some ideas: Slowing a known melody down so much that it becomes unrecognizable as the original. Example: The first phrase of Mozart Piano No. 16 in C major served as the main melody for “Hey […]
Songs are vehicles that take a listener on a 3-4 minute journey. However interesting and captivating that journey is, that’s the measure of a song’s success. Since songs are partnerships of many different elements all working together — melodies, lyrics, chords, instrumentation/production, tempo, time signature and more — it can seem to be a daunting task […]
