When it comes to a song’s melody, there’s a standard kind of “formula” that practically all songs in a verse-chorus format use: Verse: Start the melody relatively low in pitch, and move higher as it comes closer to the chorus. Chorus: Keep the chorus relatively high in pitch. If the end of the verse is […]
It’s the holy grail of songwriting: writing a melody that everyone comes to know, and everyone walks down the street humming. Well, we can dream, can’t we? In order to write a melody that everyone (potentially) hums, you need to write a melody that is easy to remember. And then it needs to be more […]
Back in 2000, Faith Hill had the number 1 country tune and pop single of the year with “Breathe” (Stephanie Bentley, Holly Lamar). It’s hard to believe that it’s been twenty-one years since that song hit the charts! “Breathe” is a great example of a song where the range of the chorus notes is approximately […]
Every once in a while I write a blog post that refers to the importance of repetition in music, and how song melodies without repetition are problematic because they’re hard to remember. We already know the power and need for repetition in music when it comes to basic elements like the backing rhythms. Most songs […]
When I listen to a song that’s spent a good deal of time at the top of the charts, I’m often amazed by how simple its structure is, how simple the chords are, and how few notes the melody actually uses. Sure, there are the exceptions. Elton John’s songs, for example, tend to use long […]
There’s more to a song hook than meets the ear… a lot more. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” is a vital manual for any serious songwriter. American indie rock group Moon Taxi’s 2015 single “All Day, All Night” is a good reminder that you can […]
