You can spend a lot of time trying to get your next song working, but sometimes you have to stop and wonder: has the time you’ve put into it been worth it? On the one hand, you could argue that the answer will always be “yes.” I’ve felt that if a song takes you a year […]
The best editing in the creative arts makes things shorter, not longer. That’s not a rule, and it’s not exclusively true, but it’s almost always the case. Pop songs tend to be 3-4 minutes in length. That’s usually because of the subject matter. People think it’s because we don’t have attention spans that will allow […]
It’s a bit of a favourite activity for me to look at hit songs from years ago and try to figure out why some of them fade quickly from the musical radar (“Disco Duck“, by Rick Dees and His Cast of Idiots, No. 1 in 1976), while others never make it to No. 1, but […]
I wrote recently about the difference between theory and practice (“What’s Most Important: Theory or Practice?“) The best songwriters are the ones that know a bit of the theory behind what they do, and then spend a good amount of time “practicing” their art. The practical side of songwriting is the actual doing side. In pop […]
When you look at paintings, you’ll notice that most of them have a noticeable point of focus — the area of the canvas that your eye gets drawn toward. Music is not much different; in most songs, you’ll notice that there’s a point of focus. The only difference is that in songs, you usually have […]
What role does chance play in the writing of a good song? Since good songwriting is guided by principles and not rules, there’s undoubtedly going to be a certain amount of random good luck. On that particular day, at that particular moment, your imagination created that melodic idea. There’s no way to get around it: good songwriting involves […]
