There’s a term that gets used a lot especially in the world of classical music composition: development. We often describe pieces of music as not just progressing, but as developing. When we use that term development, we’re talking about new ideas being built on earlier ideas within the same piece of music. When I was an instructor at Dalhousie University, I had […]
When you talk about the form or design of a song, most people understand that you’re likely talking about the overall structure of a song — the verse-chorus-other aspect. Non-musicians likely know that most songs will move from the intro to the verse to the chorus, and then they might know to expect to hear a pre-chorus or […]
A few posts back, I mentioned that in the creative arts (songwriting and other forms of composition, for example), good editing is more often about what you remove than what you add or change. In other words, the best fixes to bad music frequently happens when you remove stuff, not add stuff. If I’ve written something that’s 5 […]
Your song’s chorus is often going to be the most energetic part of your song, with the possible exception of a bridge that might really take things to new levels. But even in songs where the bridge is energetic, you’ll find that the return to the chorus afterward is all the more dynamic and lively. In […]
Do you ever find that while songwriting can be fun and rewarding, you rarely get that “wow, I really like what I wrote” feeling? Without having that feeling at least sometimes, you can feel more and more negative about your songwriting over time. Back in the days when I was teaching in the public school system, […]
For some songwriters the process that takes you from that initial idea to a completed song can be long, meaning that the number of good (finished) songs you write per month might be relatively low – maybe 1 or 2. Your instincts might tell you that the easiest way to become a more prolific songwriter […]
