Writing a song that’s mainly a set of verses, each one ending with a pay-off line, has a simplicity that really works well. The pay-off line– a refrain — often sneaks into the song at first, without it being obvious that it’s operating as a powerful closer that’s going to keep coming back. Bruce Springsteen’s “All That […]
It might be over simplistic to say, but one of the main jobs of a song verse, particularly in the pop genres, is to get the listener to the chorus. That’s certainly not to say that a verse is unimportant. A good verse does several important things: Through the lyric, it sets the scene and describes […]
There are lots of tricks that composers have used over the centuries to create new melodies based on already-existing ones. Some ideas: Slowing a known melody down so much that it becomes unrecognizable as the original. Example: The first phrase of Mozart Piano No. 16 in C major served as the main melody for “Hey […]
Improvisation is an important part artistic creation. Who knows where those very first ideas come from — the ones that pop into your mind as you’re walking down the street or sitting on a bus. But almost everything that follows, at least for most songwriters, happens through improvisation. In that context, improvisation means using your […]
For every song you ever hear, it’s possible to compile a short list of elements that go together that make the song. For most, that list will include lyrics, melody, chords, rhythm (groove), instrumentation, and so on. Because every song is a musical journey, and every journey must be to some degree unique, the priority a […]
In the classical music realm, there is a notion that composers at some point reach an age of maturity regarding their compositional abilities and style. It’s a bit of an odd term in the sense that it implies that the music they wrote up to that point might be “immature.” But there is a validity to […]
