More so than almost any other genre, pop music has a feeling of spontaneity about it. Done well, a pop song, and in particular its performance, makes great use of the musicians’ collective abilities to improvise on the spot. We love when a guitar solo sounds like it’s happening on the spur of the moment, the ideas […]
Every songwriter has a style. If you’re a well-known writer, that style may be part of what makes your new song immediately identifiable to your listeners, even before they hear that you’re the one who’s written it. More often than not, however, a song’s style of performance is what will give the song’s authorship away, not […]
Every now and then I clean up my Inbox and give a quick re-read of the emails I’ve received from songwriters for the past while. Those emails serve as a reminder to me of what issues up-and-coming songwriters are dealing with, and the best way to solve them. Here’s a quick summary, in no particular order, […]
Not every good song becomes a hit, and hopefully if you’re a songwriter you know this already. In many ways, what determines whether or not a song becomes a hit has to do with what the industry of the day has to say about it. Hit songs, regardless of the decade, usually need to adhere […]
A year or so ago, I wrote a post about the power of boredom to songwriters. In short, the research is showing that people who are bored score higher in creativity tests. This morning I was listening to a program on CBC Radio 1 called “Ripple Effect.” Part of the show was devoted to the […]
Sometimes it’s the case that you’ve written a song, played it for yourself a few times, realized it sounds bad, and your instincts are to trash it and go do something else. The truth is that somewhere between many and most songs start out as something that just doesn’t work. In other words, most songs […]
