If you’ve written a song that seemed to start with great promise, but now that it’s finished it sounds downright boring, it may be hard to put your finger on exactly what the problem is. But solving the problem is crucial, because it’s possible that you’re doing something wrong that’s been affecting all the songs […]
Good songwriting almost always comes about by following some basic principles. Those principles are not cast in stone, of course. If they were, we’d call them rules. For some songs, the principles seem obvious and clear, and you don’t have to do a lot of thinking to know why those songs work so well. For […]
For every song you love, you can probably name at least one aspect or element of that song that really clicks with you. In other words, even though all good songs are a partnership of good ideas, there are usually one or two that really stand out. It might be something basic, like the groove. […]
If there is one problem that practically all songwriters deal with, it’s this one: the inability to finish a song. Most songs will start with something captivating: a great little hook, a catchy bit of chord progression, or perhaps a short idea for a melody. And they start with great promise. So for those songwriters […]
As an unofficial “student of songwriting,” you’re curious. You’re not content to just enjoy music — you want to know why some songs sound great, and then you want to apply what you learn to make your own songs sound great. Simply stated, if you aren’t curious, you aren’t a songwriter. If you’re ready to […]
In most songs, the chorus is considered to be, musically speaking, more energetic than the verse. There are lots of ways that the higher energy is attained, some of which are the producer’s responsibility: instrumentation, playing style, volume, etc. And some of ways to achieve higher energy are the songwriter’s responsibility: higher emotions in the […]
