You might assume that a verse should have some connection to the chorus that follows it — something that makes the verse and chorus sound like musical partners. Creating musical partners of various sorts is usually a goal in good songwriting. But (with the possible exception of the lyrics) it is possible to write a verse and […]
We are living in times that we haven’t seen in our lifetime. I am very impressed by the positivity I see from so many people as we deal with this COVID-19 crisis. And the truth is: we will get through this. As a songwriter, you’re uniquely placed to bolster the mood and resolve of the […]
Songs are short. Most of them, anyway. And by short, I mean usually less than four minutes. That may seem like an insignificant detail that’s hardly worth mentioning, but the shortness of songs is a kind of musical challenge: in a very short period of time, you need to offer the audience a complete musical […]
It’s a stereotypical notion that major keys sound happy and minor keys sound sad. In reality, it takes a lot more than simply choosing major or minor. You can have sad songs in major keys (“Someone Like You” – Adele, Dan Wilson), and you can have happy songs in minor keys (“Happy ‘Cause I’m Going […]
Have you ever tried just reading your lyric out loud, without thinking about the melody you’ve written to go along with it? Reading a lyric can give you a lot of musical ideas, and can also serve as a good tool for diagnosing songwriting problems. Time to fix what’s ailing your songs. Read “Fix Your […]
Here’s an idea that might help you get a clear picture of the kinds of songs you like to write, as well as making it easy to identify other characteristics in your songwriting style: make a chart. There are probably lots of ways to do this, but here’s one that is easy, and can be […]
