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LESSON 6: INTEGRATING LYRICS WITH MELODIES
OVERVIEW Now that you've learned a bit about the structure of good melodies, it's time to take a look at how lyrics work hand-in-hand with melodies. The natural up-and-down flow of a line of lyric can go a long way to informing how the melody should (or at least could) be shaped. In this lesson, you'll learn that the message of your lyric can be helped or hindered by the way the melody moves.
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NOTHING STANDS ALONE
It's important to reiterate at this point: very rarely are songs good because of lyric or melody alone. It's the integration of melody, lyrics and chord progression, in a sensibly coherent form, that make a good song.
Good melodies are ones that set the lyric up, and that offer the same basic attitude of the lyric. Here are some guidelines:
Lyrics that exhibit... | ...work well with melodies that: |
determination, dedication, forthrightness |
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love, tenderness, compassion |
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a narrative (a story) |
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STRUCTURE
Melodies generally need to be structured so that they don't sound like an aimless wandering of notes, and melodic patterns need to strongly consider lyric at any given time. A later lesson will deal with form specifically. But for now, take this important piece of advice: melodies generally work well if you keep the following structural elements in mind:
SO WHAT'S THE RULE?
For the following activities, you may want to create a simple chord progression to accompany yourself as you create your melodic fragments. Write down or record your creations.
ACTIVITIES for INTEGRATING LYRICS AND MELODIES
1. The following are short fragments of text. Try setting each fragment to several possible melodies. The kind of melody you choose will affect a listener's reaction. For each one, try:
i) Many repeated notes, for "determined" quality;
ii) centrally-placed with melodic leaps, for emotional quality;
iii) mid-range, and mostly stepwise, for narrative quality;
a) You held it up like a dying flower.
b) Sister Susan, tell me why.
c) In the darkest hour of night.
d) No one saw and no one cared.
e) I answered the call.
2. Create a melody for the following text fragments. For each one, write a melodic fragment that could serve as:
i) A verse
ii) A chorus
iii) A bridge
Note: Refer to Lesson 5 for refresher on structuring verse, chorus and bridge melodies. Feel free to repeat certain words or phrases within the text if needed (i.e., for emphasis).
a) I'm nobody! Who are you?
Are you nobody, too? (Emily Dickenson)
b) The sea was wet as wet could be,
The sands were dry as dry. (Lewis Carroll)
c) And I am praying to God on high,
And I am praying Him night and day, (Padraic Colum)
d) As their fathers watch’d them once,
As my father once watch’d me; (Edmund Blunden)
e) He who is waiting
In the rain outside,
He who is standing
Where the dew drops wide. (James Stephens)
Proceed to Lesson 7: CHOOSING THE RIGHT CHORD
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