If you look at a lyric from a typical pop song, you’re not usually looking at something that’s deep or complex. Usually that’s by design: the purpose of most pop songs is to create emotions within the listener, and it’s hard to create emotions when the words and their contextual meanings are intricate or convoluted. […]
In practically any human activity you can name, having an “instinct” — what we might otherwise call a natural ability — is an important starting point. For example, you can teach someone the essential skills involved in hitting a baseball, but it’s far better to work with someone who just seems to have a natural […]
Great songwriting, from a listener’s point of view, flies under the radar, by which I mean that the best songs are great without making it obvious why they’re great. A song might have a gorgeous melody, but the average listener won’t know exactly why it’s so beautiful. It might have a really captivating sequence of chords, […]
Beyoncé’s latest hit single, “Break My Soul” (written by Beyoncé, Tricky Stewart, The-Dream, et al) is currently at the top of the Billboard Hot 100. Every hit song balances standard fundamentals of songwriting with something unique and innovative. So let’s take a look at three songwriting innovations that set “Break My Soul” apart and make […]
A good melody needs to be memorable and at least somewhat easy for the average listener to sing or hum. Someone singing and humming a tune as they walk down the street is one of the proofs that a melody has done its job. When you hear a problem with your song, but don’t know […]
Once you’ve written a song, do you have a list — even just a mental one — that you go through to assess your song? I have mentioned often that troubleshooting a song should really only be done if you’re noticing something about your song that isn’t really working, but you can’t identify what that […]
