If you look at a lyric from a typical pop song, you’re not usually looking at something that’s deep or complex. Usually that’s by design: the purpose of most pop songs is to create emotions within the listener, and it’s hard to create emotions when the words and their contextual meanings are intricate or convoluted. […]
I mentioned a few weeks back that I was enjoying a book I had received as a gift, called “Let’s Do It – The Birth of Pop”, by Bob Stanley. I’m most of the way through, and am still hugely enjoying it. I highly recommend it — you won’t be disappointed. If you’re stuck working […]
If, after listening to your song, a listener can’t really recall much about it, they’re far less likely to seek your song out to listen to it again. What makes music memorable can be a bit complex, but there are certainly things you could be doing as you write your next song to make it […]
In the world of pop music, targeting your audience has always meant identifying who was likely to enjoy your songs, and then make it easy for those potential fans to familiarize themselves with your music, and then hopefully buy the record. If you like starting songs by working with a chord progression, you need to […]
You’ve probably heard the many stories of famous singers and bands who struggled to get a recording contract at the start of their careers. The Beatles were famously turned down by Decca Records (“the Beatles have no future in show business”). There’s a funny thing that happens in our brains when we hear that someone […]
Great songwriting, from a listener’s point of view, flies under the radar, by which I mean that the best songs are great without making it obvious why they’re great. A song might have a gorgeous melody, but the average listener won’t know exactly why it’s so beautiful. It might have a really captivating sequence of chords, […]
