I’d be in favour of a name other than bridge to describe the optional song section that occurs after the second chorus. Maybe “section 3.” A bridge implies that its main job is to transition from one thing to another newer thing, and to make that a smooth connection. But a song’s bridge most often takes the […]
When you look at a song’s lyric as displayed on a website or written down on paper, you’re not often aware that the nature of the lyric changes as the song progresses. But it does, and it’s important to get this right if you’re the lyricist. When we talk about a song’s form, at least in […]
When we talk about the form of a song, we’re usually talking about the arrangement of its basic elements such as verse, chorus and bridge. That word form, though, can refer to other things: aspects of the lyric, the design of a melody, or how keys are established and changed as a song progresses. Listeners to […]
Intros are meant to identify a song, and, more importantly, entice people to keep listening. They do this usually by setting up the mood, the key and tempo (though not necessarily, as you’ll see below). A good intro acts an identifying banner or flag for the rest of the song. If you find yourself always […]
How do you create a melody that works well in verse-only songs? Are they structured differently from verse melodies that lead to choruses? The short answer to the second question is ‘yes’ — at least most of the time. Whether you look at classic rock examples of verse-chorus tunes (“The Night They Drove Old Dixie […]
Take a look at pop song lyrics, and you’ll see everything from straight-ahead, easy-to-follow, to something more abstract. The easy-to-follow lyrics might be something like “Thinking Out Loud” (Ed Sheeran, Amy Wadge, Julian Williams): When your legs don’t work like they used to before And I can’t sweep you off of your feet Will your […]
