If you like studying the chord progressions used in your favourite songs, you’ll know that a minor key verse leading to a major key chorus is pretty common. But most of the time, that minor key will be what’s called the relative minor of the major key that follows. Trying to get a handle on writing […]
If every song you write bears a striking resemblance to the ones that came before it, you’ll struggle to build on your fan base. That’s because your fans will think they’ve heard it all before, and start to lose the belief that you’ll come up with something different. It’s tricky, though. For most singer-songwriters, if […]
In most songs, key changes happen for any one or more of the following reasons: It raises musical energy. The most typical example of this is the song that has a minor key verse, then switches to a major key chorus. That brightening of the key from minor to major increases musical momentum as it […]
You may not think of many of the early Beatles songs as using complex or unusual chord progressions, but for their day, they were noticeably creative. Where so many other early- to mid-era rock and roll songs were barely straying beyond the basic I-IV-V-I kinds of progressions, The Beatles were throwing in modal mixtures, secondary […]
Occasionally I write about the benefit that comes from analyzing your own songs. The biggest benefit that comes from self-analysis is that you get a clear picture of the kinds of things you like to write about; the words and phrases that seem to occur most in your lyric; the kinds of chords you typically […]
You may be familiar with the term relative major — that’s the major key that uses the same key signature as a particular minor key. It’s a very common key relationship in pop songs, because if you’ve written a song that uses a minor key verse, and you decide to switch to major for the chorus, […]
