Choosing the key for your song usually involves, at least in the first instance, finding the key that suits your vocal range. Most of the time this isn’t specifically a songwriting issue as much as it is a performance issue. But there are other aspects of key choice that amounts to making a songwriting choice. […]
Let’s say you’ve come up with a hook that you think should be something that works well as the main flag-waving part of your chorus. So then you set about to write a verse that leads into that chorus. But once that’s done, and you play the verse and chorus in sequence, you find that the […]
Most of the time, if there is a difference in key between a verse and chorus, it’s the kind of thing where a verse will be in minor, switching to the relative major for the chorus. Then you get songs like “Little Lion Man” by Mumford & Sons, which switches quite freely back and forth […]
Songwriting tends to happen in two stages. First, you spend a certain amount of time creating ideas, and second, you experiment with, pull together and reshape those ideas until you get the song into its final form. Some songwriters find the first stage relatively easy, but get frustrated trying to make a finished song. They get […]
Want to know the best way to use chords as a starting point in your songwriting process? Read “Writing a Song From a Chord Progression.” Get it separately, or as part of “The Essential Secrets of Songwriting 10-eBook Bundle.” A circle of fifths progression is one in which adjacent chords have roots that are a […]
If you find that everything you write is in a major key, you’re missing out on an opportunity to create songs that tap into a darker or perhaps edgier side of music, a side that minor key writing offers. It might be that you aren’t sure how to create minor key progressions, and so I’ve […]
