For most songs, the verse and chorus melodies are different. That’s the most common circumstance. But there are times, you will notice, when you’ve written a verse and a chorus that sound fine on their own, but don’t seem to work together. On the face of it, it seems that there doesn’t need to be […]
You’ll notice that when you’ve got a melody, the notes of that melody imply the chords you’re likely to use. That’s not to say that you’ve got no choice in the matter, of course. For every chord you might use, there is a list of chords that could serve as substitutes. Just as an example, […]
In order for an athlete to improve, something needs to change. A golfer who wants to improve needs to develop a different stance, or perhaps hold the club differently, or do some other thing in a different way. Athletes work all the time on that simple idea of change. If they aren’t changing something, their […]
A common musical form that classical composers have loved for centuries is theme and variations; a melody is repeated, changed in some way, but still similar enough to the original that it’s recognizable. It was a measure of a composer’s musical imagination, and fun for an audience to hear what might happen next with the […]
You know that there are many songs where verses and choruses are in different keys. When it comes to questions about chord progressions that I receive, the most common kinds of questions relate to that issue: how to get from one key to another in a typical song. It’s not unusual for a song to […]
When you get an idea for a song, you’re actually getting several ideas all at once. That’s how creativity works. You might think that you’ve just conjured up a single entity called a hook, but in fact you’ve brought together at least 3 different things very quickly: A catchy little melodic bit; A chord progression […]
