Looking for an easy way to discover the chords that could potentially go with a melody? It’s not a random process; it really depends mainly on what notes are happening on strong beats. There is a bit of instinct involved, particularly with regard to how often you should change chords. You’ll notice that most songs, if you […]
Do you feel that your songwriting has plateaued? Are you worried that you’ve reached a level of ability that you’ll never surpass? And if the answer to those questions is ‘yes’, it begs a third question: What can you do to take things to a new and better level? Stagnation in songwriting — and in fact in any of the […]
I’m often asked about motifs – how they work in typical songwriting, and if songwriters even need to be aware of them. Unlike a hook, which does its work in the foreground, a motif is a small building-block of music that works mainly in the background. That’s not to say we don’t typically hear motifs — […]
Every songwriter has a style. If you’re a well-known writer, that style may be part of what makes your new song immediately identifiable to your listeners, even before they hear that you’re the one who’s written it. More often than not, however, a song’s style of performance is what will give the song’s authorship away, not […]
Sometimes it’s the case that you’ve written a song, played it for yourself a few times, realized it sounds bad, and your instincts are to trash it and go do something else. The truth is that somewhere between many and most songs start out as something that just doesn’t work. In other words, most songs […]
It’s a common technique for songwriters to write a verse that sits mainly in a minor key, and then switch to a major key for the chorus. The main reason for this kind of minor-to-major relationship working so well is that it considerably brightens the sound of a song. If you think of the verse […]
