Melody notes only sound right if the chords underneath them fit properly. If you’re a chords-first songwriter, you need to say it the other way — chords only sound right if the melody you eventually write fits them. But in any case, good songs are a partnership between melodies and chords, and then they need to […]
When we talk about musical energy or momentum, we’re often talking about how loud, quick or rhythmically complex a song is. We think of songs that have energy as songs that get us moving. But in fact, energy is more complicated than that. All songs have energy, even the very quiet, slow ballads that are […]
In yesterday’s post I wrote about two-chord progressions, and how a song practically never suffers from a chord progression that’s short or boring. While that’s true, it doesn’t mean that a chord progression can’t help strengthen your song’s structure. If you’re hoping to give stronger meaning to your lyrics by using more creative chords, you […]
Of all the various elements that go together to make a song, you’ll find that a boring chord progression will almost never be a problem. A boring melody can be a problem (not always, though), and a boring lyric might spell a song’s demise. But the chords? They can be as stunningly boring as a […]
Lately I’ve been getting lots of very good questions from songwriters by email regarding chord progressions, and most of those questions deal with some aspect of how to make chords a bit more creative without making them sound… well, like garbage! I thought now might be a good time to go back to offering my […]
The typical 3-chord song has been the workhorse of early rock and roll. Go back to the 50s, and it’s the mainstay of most songs. By 3-chord songs, we’re talking usually about this progression: I IV V7 I (C F G7 C) And then, of course, the writer might throw something else in, particularly in […]
